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</html>";s:4:"text";s:8724:"I don’t see how we can get out of that by pretending it didn’t happen” (Stern 72); Judy sobs to the juvenile officer:  provides him with fatherly strength and support, Jim must enter into the symbolic world on his own. It typifies the ineptitude of fathers to act as responsible adults and their unwillingness to accept their teen-aged children into an adult world. Jim asks Buzz why they have to participate in rituals like knife fights and chickie runs. As a teenager, Jim has no wealth of experiences to draw on when faced with a difficult decision, which is why he asks his (presumably experienced) father. Dramatica is a registered trademark of Screenplay Systems Incorporated. “He’s cute,” he concedes. Jim, Judy, and Plato's time spent in the abandoned mansion toward the end of the film represents an attempt on their part to build a chosen family—a kind of surrogate kinship structure where they can be honest, open, and sincere, rather than guarded, hostile, and belittled. Jim: I’m not hungry. The father goes back to mopping up the mess. Buzz:  I like you, you know? Frank Stark is too ineffectual a man to be of use to his son, leaving Jim feeling alone and disassociated from his family. Cite evidence from the text in your answer. Back at home, Jim is helping himself to milk in the kitchen when he hears a loud crash upstairs. a question of honor. © Copyright 1994-2020 Write Brothers, Inc. All Rights Reserved. Jim's dialogue, which frames his dilemma as "a matter of honor," highlights the fact that Jim places a premium on the kind of masculine integrity that his father has continually failed to embody. At school he meets a group of young toughs who challenge him to a game of chicken. The onlookers arrange their cars along the sidelines, shining their lights on the makeshift raceway, turning it into a kind of stage. Plato, who momentarily cannot find his “mother” and “father” (Jim and Judy) feels abandoned once again and fires at Jim in anger. Plato, in his unbalanced state, shoots Jim with the gun he has carried around to protect him when he thinks Jim has failed him as a parental figure. Synopsis Shortly after moving to Los Angeles with his parents, 17-year-old Jim Stark (James Dean) enrolls at Dawson High School. The film stars James Dean, Sal Mineo, and Natalie Wood. . Plato undergoes a sudden transformation from using Jim as his object cathexis of an ideal father to ajouissance of him as an irresponsible one. Jim:  Dad—answer her—aren’t you going to stand up for me? Frank’s lack of desire to change the circumstances of his family life undermines his efforts to be a strong parent to his son. Frank fails to provide Jim with the parental instincts his son requires. Do you feel teenage rebels have a cause? Perpetually sullen, Dawson High's careworn new student, Jim Stark, braces himself for yet another fresh start in a new town, after an unpleasant brush with the law earlier the same morning. To gain acceptance within the gang, he must engage in dangerous pursuits. The journey to find his father is both tenuous and disastrous. His death is important to the journey of finding the father and is symbolic of the death of an uncaring father for one who will offer support and affection. . in Spoto 220). Rebel without a Cause has as much to say today as it did in the 1950s. Yet, as he begins to understand that Jim is in trouble, his basic drive to protect his son takes over. Jim feels, for the first time, the love and security he has always wanted. He has been in trouble elsewhere; that's why his family has had to move before. Click here to make a donation. The position she literally takes up between the two cars symbolizes her figurative position as the character mediating the competitive relationship between Jim and Buzz. Jim is at Plato’s side. Ray: Do you think your father means that? Seemingly having no answer, Buzz merely replies that "you gotta do something.". Jim quarrels with his father for not standing up for him and leaves his home. Frank recollects his own drunken antics as a teen, as a way to excuse his son’s: “I guess I cut pretty loose in my day too” (Stern 12). People he really likes—he lets call him “Jamie.” (Stern 58). Whereas Ray links Jim's father's failure to his feminization in the household, Judy's father fails because he is violently averse to Judy's blossoming femininity. Jim’s threats to go to the police with the story of his involvement in Buzz’s death are met with great resistance from his parents. The character lives in a suburban middle class neighborhood with his parents and grandmother. As the title states, their causes are impossible to define. Dad—Dad—don’t. The tale of youthful defiance, which could have been exploitative - but wasn't, provides a rich, but stylized (and partly out-dated) look at the world of the conformist mid-1950s from the perspective of the main adolescent male character - a troubled teen with ineffectual … Ray includes these visual details in order to convey that these two men are performing in order to win Judy over, despite the fact that they actually like one another. in Spoto 219). Jim considers his family environment a “zoo”; Jim is the new kid in town trying to fit in; and so forth. Now I want to do one thing right and I’m not letting you run away. "Rebel Without a Cause Themes". . Mother: Jimmy, you’re very young—and a foolish decision now could wreck your whole life. Jim's father suggests that they make a list of pros and cons, but Jim demands a direct answer about how to respond when one's manhood is at stake. Mother:  Jimmy, you’re very young—and a foolish decision now could wreck your whole life. Jim is protective and fatherly toward Plato and sensitive toward Judy. Dean, however, was not the only actor with whom Ray purportedly had an illicit affair. Those who make it through the threshold of adulthood try to make meaning of a fragmented society and a universe that holds little value for them. Crunch, Goon, and Moose find the mansion. “‘I realized later that I was homo-sexually attracted to him,'” Mineo later recalled of Dean. Frank’s inability to give advice causes problems between the two: Perhaps less apparent, but no less present, is the attraction between Jim and Buzz, which is concealed by their surface-level rivalry. . Buzz calls Jim "different" and "abstract" and protects him before the chickie-run by having him practice bailing out of the stolen car, even admitting "I like you, you know that?" (274-75). Plato fires at Jim. Does life always give second chances? . Father:  Listen—nobody should make a snap decision . Father: Son—this is all happening so fast— Rebel Without a Cause (1955) is a prime example of the culture that the United States had post World War II, depicting the complete opposite of what American Society is supposed to look like with its traditional white home. . Social Issues in Rebel Without A Cause When Buzz seductively punctures one of the tires on Jim’s car, Jim says, “You’ve been reading too many comic books.” This is an example of Buzz’s living in the imaginary world. . This egress, however, comes at a price, and the death of the third party, as characterized by Buzz and Plato, is necessary for Jim and Judy not only to find or act out the role of an ideal parent, but also to complete the journey itself. It’s a crazy game” (Stern 30) by waving a knife in his face; the chickie run is a test of the boys’ courage; and so forth. He also looks at problems in terms of cause and effect. Plot Keywords When some of the teenagers go after Jim thinking he might go to the police, tragedy ensues. Jim is steadfast in his desire to be part of a functional family. His weak-willed father (Jim Backus) often tries to defend Jim, but Jim's picky and domineering mother always wins the arguments for his father cannot find the courage to stand up to his wife. (Stern 59-60); to Plato’s way of thinking, Jim is his father figure although they have only known each other briefly; Judy explains to Jim that she must treat him one way in front of the kids and another way when they are alone; Jim explains to the juvenile officer how his parents handle his transgressions: What are we doing this for? The film introduces Jim Stark as a man in desperate need of escape from his own family, who in his own words, are "tearing him apart." The acerbic comment Frank’s mother makes after Jim explodes in anger in the police station “Well you know who he takes after” (Stern 14) is an indication of the kind of childhood Frank must have had. Mother: Well, it doesn’t matter anyhow—because we’re moving. ";s:7:"keyword";s:30:"rebel without a cause analysis";s:5:"links";s:930:"<a href="http://newdestinychurchpc.com/blog/article.php?tag=beard-transplant-6bb478">Beard Transplant</a>,
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